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$20 (USD)
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Released Date: August 2022
Label: Disgruntled Media DA0005
Tracks: 32
Total Runtime: 105:00

MUSIC PRODUCTION CREDITS
Music Composed, Performed & Mixed by: Mateo Hightshoe
Artwork by: Mateo Hightshoe
All Intellectual Property, Copyrights and Licenses are owned by: Mateo Hightshoe
Digital Album Download FIle Type: MP3 320 Kbps CBR
Sample Type: 48000 Hz, Stereo, 24-bit

Note:
All projects prior to 2025 I went by Matthew C. Hightshoe.
All future works will be credited as Mateo Hightshoe.
All albums will be retroactively get credited as Mateo Hightshoe.

The Erehwon by Mateo Hightshoe

The Erehwon

Mateo Hightshoe

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The Erehwon
by Mateo Hightshoe

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  1. 1
    Creation Of The Erehwon 4:36
    Creation Of The Erehwon
    by Mateo Hightshoe

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  2. 2
    It Wasn't A Glitch 1:56
    It Wasn't A Glitch
    by Mateo Hightshoe

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  3. 3
    The Ambush Begins 4:33
    The Ambush Begins
    by Mateo Hightshoe

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  4. 4
    Assessing The Situation 1:58
    Assessing The Situation
    by Mateo Hightshoe

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  5. 5
    More Fleets Are Attacked 4:36
    More Fleets Are Attacked
    by Mateo Hightshoe

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  6. 6
    Tracking Them 4:05
    Tracking Them
    by Mateo Hightshoe

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  7. 7
    The Source Of The Anomalies 4:30
    The Source Of The Anomalies
    by D4Disgruntled

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  8. 8
    A Narrow Escape 3:29
    A Narrow Escape
    by Mateo Hightshoe

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  9. 9
    Centennial Begins 3:06
    Centennial Begins
    by Mateo Hightshoe

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  10. 10
    Warning The Federation 2:50
    Warning The Federation
    by Mateo Hightshoe

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  11. 11
    Centennial Gets Interrupted 2:55
    Centennial Gets Interrupted
    by Mateo Hightshoe

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  12. 12
    A Federation In Crisis 2:33
    A Federation In Crisis
    by Mateo Hightshoe

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  13. 13
    Ghosts From The Past 2:05
    Ghosts From The Past
    by Mateo Hightshoe

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  14. 14
    A Troubled Past Is Revealed 3:32
    A Troubled Past Is Revealed
    by Mateo Hightshoe

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  15. 15
    Reclaiming What Is Rightfully Theirs 2:55
    Reclaiming What Is Rightfully Theirs
    by Mateo Hightshoe

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  16. 16
    Justice For An Injustice 1:57
    Justice For An Injustice
    by Mateo Hightshoe

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  17. 17
    Interdimensional Displacement 1:26
    Interdimensional Displacement
    by Mateo Hightshoe

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  18. 18
    Escaping Extinction 3:59
    Escaping Extinction
    by Mateo Hightshoe

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  19. 19
    Tracking Energy Signatures 2:58
    Tracking Energy Signatures
    by Mateo Hightshoe

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  20. 20
    Survivors Arrive And Prep For Battle 5:12
    Survivors Arrive And Prep For Battle
    by Mateo Hightshoe

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STORY CONEPT
Concept Soundtrack album that tells the tale of a grisly series of murders in which all the victims all appear to be the result of vicious animal attacks. Before long it is discovered that there is a link between the victims and a new sex drug called "The Brotherin" they used. 

"The Brotherin" is supposed to release the inner animalistic sexual sides of people. The result,in some cases is a horrendous murder. As the authorities close in on their suspect, both the cops and the suspect begin to learn the true purppose of the drug. 

A big pharma company who produces "The Brotherin" has been trying to bring back the long supressed and dorment genes in humans that create Werewolves. The CEO of the company is himself an ancestor of the believed extinct race of Werewolves called The Brotherin and has been working to re-activate the genes hidden in some humans. His goal is to start a new race of Werewolves to conquer the world. 

However, is this all simply paranoid delusion in the mind of the main character - the murder suspect who is addicted to "The Brotherin" drug? Or is there really a plot to bring back Werewolves? 

ABOUT THE MUSIC
While the story can be set in modern day, I wanted to explore the sensibilities of John Carpenter and Dark Synth Wave similar to Stranger Things while not copying Carpenter or Stranger Things, I listened to these styles and then let my imagination run wild and create something that is inspired, original and not derivitive. 

There is a narrative structure to the music, using themes and motifs and developing them throughout the album as the story unfolds. I utilize many synth sounds heard in 80s film scores to horror films including electronic drums, synth pads and strings, stingers, organs, glittery sounds and bells and an array of creepy sound effects. 

Surprisingly, not many 80s horror films sounded like Stranger Things. They were either full orchestras with synths or used nothing but synths while trying to make it sound like an orchestra. I did not want to do that. I selected a large ensemble of synth sounds to use and used them according to their limitations. I let the synths be synths. I did perform some post mixing effects but mostly to give it more reverb and depth at times. 

So sit back and go on this dark and creepy adventure both musically and narratively. Enjoy!

Some images ©

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